Ep. 1 - Online, Off the Grid - (Closed)
Feb 13, 2014 20:07:22 GMT -5
Post by Deleted on Feb 13, 2014 20:07:22 GMT -5
Where: Unknown
When: Set after "Close Encounters"
Who: Roulette, Silas, MECH
Somewhere, a monitor sprang to life.
It glowed in the dimly lit observation room, which looked down upon the range. It's wide glass windows offered a perfect view upon the large, narrow room below. Reflections moved back and forth across the glass like ghosts as the people inside the observation room silently worked at their terminals.
The monitor split into four camera views. Two were black. One was snowed in static.
The forth view was live. CAM 1 it was labelled.
This is what it showed:
----
The camera focused, blurrily, on grey concrete walls.
"Camera 1, check. Camera 1 is live."
It swung jerkily. Its operator was nervous. The scene in the viewfinder jittered back and forth, before spinning around to settle on a figure a white lab coat. The round lenses of his goggles flashed briefly beneath the white florescent lights. His breathing rasped through the chemical mask it wore over his mouth. His lab coat was smeared in red, brown fluids.
The figure held a small whiteboard in front of the camera. It read:
WEAPON: AMR-D5
SUBJECT: DC 1 TEST: MOTOR, NEURAL, OP-TARGETING, PAIN RECEP
KEY: AF-POS, C - 2/14
TECH: A. KAMPMAN
AAF/F4/7E
MECH - R. HILLS
The figure lowered the whiteboard and stepped aside. The camera focused on what was behind him: a tall metal robot - silent, still, mechanical. It sat in a steel armature, like surgical chair, its head, arms, and legs locked in place by steel bands, by cables and connectors that fed into the bare ports where patches of its armour had been stripped to the endoskeleton, and by paralysis. The image in the view finder blurred in and out of focus as the camera zoomed in upon the machine's expressionless face. It's optics were dark.
Men in white lab coats paced in the background. The camera panned to them. A row of field laptops were arranged on steel tables behind the robot. Cables threaded underfoot, running between computers, sensors, and hastily erected flood lights. Armed guards stood behind the lab technicians, heavily kitted in rifles and black body armour.
The camera swept back up to the robot's face. It blurred in and out of focus again before settling on its optics.
"Stand by," said a voice over the intercom. It echoed hollowly through the narrow room. "All personnel within Firing Range Four, move back behind the yellow lines. Subject is going live in forty seconds. Stand by."
In forty seconds, this is what the subject saw:
----
Roulette's optical sensors would slowly come online.
She was in a long, narrow firing range, perhaps three hundred feet in length, as cold and aseptic as a bunker. The walls, floor, ceiling were all worn concrete. A painted red line ran down each wall, terminating at the very end in what looked like a fortified wall of sand bags. The bags were heavily charred in the middle, blackened as if by fire. Florescent flood lights lit the full length of the range.
She would find herself unable to move. Whatever steel armature she sat in braced her firmly in place.
A self-diagnostic would reveal that her comm system was offline. Her weapons systems were likewise disconnected, as was her chronometer. All motor and electrical systems to her chassis, her left arm, and her legs had been severed, effectively paralysing her. Only her head and right arm remained untampered with. But they were, for the moment, locked in place by the bands and cables of the armature, unable to move.
The room smelt sterile. Like cement, and static electricity.
She would be able to hear small sounds behind her, people shuffling in place. Then, over the range intercom, a microphone keyed itself. A voice spoke. It was clear, cool. Composed.
"Decepticon," it said pleasantly. "Good evening. Are you on-line?"
When: Set after "Close Encounters"
Who: Roulette, Silas, MECH
Somewhere, a monitor sprang to life.
It glowed in the dimly lit observation room, which looked down upon the range. It's wide glass windows offered a perfect view upon the large, narrow room below. Reflections moved back and forth across the glass like ghosts as the people inside the observation room silently worked at their terminals.
The monitor split into four camera views. Two were black. One was snowed in static.
The forth view was live. CAM 1 it was labelled.
This is what it showed:
----
The camera focused, blurrily, on grey concrete walls.
"Camera 1, check. Camera 1 is live."
It swung jerkily. Its operator was nervous. The scene in the viewfinder jittered back and forth, before spinning around to settle on a figure a white lab coat. The round lenses of his goggles flashed briefly beneath the white florescent lights. His breathing rasped through the chemical mask it wore over his mouth. His lab coat was smeared in red, brown fluids.
The figure held a small whiteboard in front of the camera. It read:
WEAPON: AMR-D5
SUBJECT: DC 1 TEST: MOTOR, NEURAL, OP-TARGETING, PAIN RECEP
KEY: AF-POS, C - 2/14
TECH: A. KAMPMAN
AAF/F4/7E
MECH - R. HILLS
The figure lowered the whiteboard and stepped aside. The camera focused on what was behind him: a tall metal robot - silent, still, mechanical. It sat in a steel armature, like surgical chair, its head, arms, and legs locked in place by steel bands, by cables and connectors that fed into the bare ports where patches of its armour had been stripped to the endoskeleton, and by paralysis. The image in the view finder blurred in and out of focus as the camera zoomed in upon the machine's expressionless face. It's optics were dark.
Men in white lab coats paced in the background. The camera panned to them. A row of field laptops were arranged on steel tables behind the robot. Cables threaded underfoot, running between computers, sensors, and hastily erected flood lights. Armed guards stood behind the lab technicians, heavily kitted in rifles and black body armour.
The camera swept back up to the robot's face. It blurred in and out of focus again before settling on its optics.
"Stand by," said a voice over the intercom. It echoed hollowly through the narrow room. "All personnel within Firing Range Four, move back behind the yellow lines. Subject is going live in forty seconds. Stand by."
In forty seconds, this is what the subject saw:
----
Roulette's optical sensors would slowly come online.
She was in a long, narrow firing range, perhaps three hundred feet in length, as cold and aseptic as a bunker. The walls, floor, ceiling were all worn concrete. A painted red line ran down each wall, terminating at the very end in what looked like a fortified wall of sand bags. The bags were heavily charred in the middle, blackened as if by fire. Florescent flood lights lit the full length of the range.
She would find herself unable to move. Whatever steel armature she sat in braced her firmly in place.
A self-diagnostic would reveal that her comm system was offline. Her weapons systems were likewise disconnected, as was her chronometer. All motor and electrical systems to her chassis, her left arm, and her legs had been severed, effectively paralysing her. Only her head and right arm remained untampered with. But they were, for the moment, locked in place by the bands and cables of the armature, unable to move.
The room smelt sterile. Like cement, and static electricity.
She would be able to hear small sounds behind her, people shuffling in place. Then, over the range intercom, a microphone keyed itself. A voice spoke. It was clear, cool. Composed.
"Decepticon," it said pleasantly. "Good evening. Are you on-line?"